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The Lee Strasberg NotesFrom Routledge
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The Lee Strasberg Notes reproduces the original teachings of a unique voice in actor training, for the very first time. It is a stunning document in the history and ongoing practice of Strasberg’s Method.
Compiled and edited by Lola Cohen, the book is based on unpublished transcripts of Strasberg’s own classes on acting, directing and Shakespeare. It recreates his theoretical approach, as well as the practical exercises used by his students, and brilliantly conveys his approach and personality.
The book features Strasberg’s teachings on:
• Training and exercises
• Characters and scenes
• Directing and the Method
• Shakespeare and Stanislavski
• The theater, acting and actors.
Including a Preface by Anna Strasberg and a Foreword by Martin Sheen, this illuminating book brings the reader closer to Strasberg’s own methods than any other, making it a phenomenal resource for students, actors, and directors.
- Sales Rank: #228280 in Books
- Published on: 2010-02-28
- Released on: 2010-01-20
- Original language: English
- Number of items: 1
- Dimensions: 8.51" h x .53" w x 5.43" l, .70 pounds
- Binding: Paperback
- 232 pages
Review
"For the actor, The Lee Strasberg Notes are an indispensable companion." –Johnny Depp
"I always think upon Lee Strasberg with warmth, and reviewing his wisdom is a pleasure." –Francis Ford Coppola
"Reading The Lee Strasberg Notes re-kindled the first rush of excitement I felt about the possibilities of Acting. If you are an Actor―buy it." –Ralph Fiennes
About the Author
Lola Cohen has taught acting for over twenty years at the Lee Strasberg Theater and Film Institute and NYU's Tisch School of the Arts Acting Program. As an actor she made her film debut in Renaldo and Clara in 1975, directed by Bob Dylan. She was SUNY - Ulster Artist in Residence in 2009.
Most helpful customer reviews
4 of 5 people found the following review helpful.
This is an excellent book (I'm not affiliated with the author)
By Philippe Haddad
I'm a seasoned veteran actor. I've been acting for 25 years and after having studied all the other methods for years each one (Meisner (William Esper in NY), Adler (Stella Adler LA), Improvisation (Groundlings and Second City), Straberg (Strasberg Institute LA), Micheal Chehkov) I have very happily renewed my vows to the Strasberg Method.
My reasoning is as follows:
1. Strasberg Method is all about working from your past. You first experience something, ex. shooting with a gun, and then re-create it through the senses on-stage. Other techniques, such as the Adler technique, will make you go to the imagination and imagine what a gun would feel like and then go on-stage. The fact is, YOUR MEMORY WILL ALWAYS BE STRONGER THAN YOUR IMAGINATION, giving it an additional layer of reality.
2. The most amount of Oscar winners in history have been Strasberg trained or believe in Affective Memory. This is a clear fact and should speak for itself.
a. Jack Nicholson 3
b. Al Pacino 2
c. Ellen Burstyn 1
d. Anne Bancroft 1
e. Daniel Day-Lewis 3
f. Tom Hanks 2
g. Meryl Streep 3 (She studied at Yale when Bobby Lewis was there and in his book "Advice to the Players" he wrote about Sense Memory and Affective Memory)
etc. etc.
3. To me personally, there is nothing better than to watch a Strasberg person on Film/TV. This is of course an opinion, however it is clearly true to me. Every time I see someone that I really like, I will go on imdb and/or Wikipedia and find out that they are Strasberg trained.
This book was refreshing in many ways. I know Lorrie and Diane Hull from LA and Lorrie's book (Strasberg's Method) is considered by many to be "the bible" on Strasberg. Lorrie is not only a PhD in Education but served as Lee Strasberg's right hand assistant and teacher for 20 years. Her book is invaluable. It is almost a manual stating every step of the Strasberg Method.
However, Lola Cohen's book, to me, completes the circle. She closes many of the gaps that are present in Hull's book. For example, there is no real mention (in Hull's book) on how to actually speak your lines. She will give you tips on memorizing, etc. but not on how to deliver your lines.
All in all, I highly recommend Lola's book to anyone interested in Strasberg's Method or acting for that matter. And, by the way, I have never met her nor am I affiliated with her in any way (unfortunately for me since I would love to not only meet her but to study with her).
Good Luck!
3 of 4 people found the following review helpful.
Not only for actors
By Nancy L. Mehagian
Though not an actor, I was drawn to this book because I knew Lee Strasberg. This book is an important contribution to the arts in general. It is like being in a class with a true master who understood what it takes to become a true artist. This is the man, after all, who nurtured some of the greatest actors that ever lived. The book is so well organized, the never-before-seen photos are wondrous and I thoroughly enjoyed it. I'm recommending it to friends who are screenwriters, directors and even visual artists. The Lee Strasberg Notes insures that a new generation will have access to his phenomenal teachings.
0 of 0 people found the following review helpful.
Great lessons. Without training talent will never grow
By Judy
Great lessons. Without training talent will never grow.
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